Initial pencil rough based on John's initial concept. The figure needed adjustment as he was too small.
The readjusted rough.
John was happy with the adjustmests made on the figure, so work commenced on the front cover artwork.
The cover was based upon the night sky so it was important to add the suggestion of darkness without being scary. I used a variety of blue acrylics, with the transparency being altered towards the focal point of the cover to enable the main artwork to stand out.
With my base colour now in place, I started to work on the main feature. Knowing the colour I was superimposing the figure upon, I was able to continually check and alter the contrast.
Simultaneously painting the figure with the background I began to experiment with imagery to suggest space. John had been clear in his brief that he wanted the character to be looking out from a window into a space like world.
Using intensive pigment watercolours I created a dappled effect, allowing the merging and blending of colours, whilst embracing patterns and shapes created by the organic nature of watercolours. The planets were created in the same way, whilst juxtaposing found surface textures from magazines.
The form of the window was created, simplistic curtains blowing in the wind and the figure were now combined. Creating illustrations is based upon dialogue with the client and throughout the process John was approving each stage. At this stage I was feeling the need to create further interest and contrast between the figure and background. I didn't feel there was enough interest in the background and subsequently not enough contrast.
With the addition of colour and texture on the base background I began to feel there was an enhanced suggestion of space. This stage then led me to trying out ideas for text and composition.
